Directing the orchestra while playing the oboe used to feel like a party piece, and it’s still marvellous to watch, but it’s impossible to deny the dep
Scottish Chamber Orchestra in Edinburgh En lire plus
En lire plus
Directing the orchestra while playing the oboe used to feel like a party piece, and it’s still marvellous to watch, but it’s impossible to deny the dep
Scottish Chamber Orchestra in Edinburgh En lire plus
"French oboist and conductor François Leleux brought a winning mixture of virtuosity, theatricality and wit to this thoroughly refreshing concert"
BBC SSO concert in Glasgow En lire plus
"A suitably exuberant and boisterous performance"
Bizet et Gounod album En lire plus
Francois Leleux was the conductor, musicianship oozing genially out of every gesture, a collaborator with his colleagues rather than a chef d’orchestre. His account of Mendelssohn’s Midsummer Night’s Dream Overture began with impeccably tuned and balanced woodwind (Leleux also wears an oboist’s hat)
City of Birmingham Symphony Orchestra En lire plus
Something quite special takes over when a set of musicians like this play without a conductor: overt direction is replaced by collective telepathy and, when it goes right, a little dusting of magic.
Scottish Chamber Orchestra En lire plus
Als Zugabe verwandelte Leleux Mozarts „Ein Mädchen oder Weibchen“ aus der „Zauberflöte“ mit rasanten Auszierungen in ein Virtuosenstück.
HR-Sinfonieorchester En lire plus